Hay ropa que lleva. Y hay otra que se inhabita. The marine shelter was lost to this second family. Born in the cubiertas of the war boats and adopted by the marina officials in the XIX century, it was born in the epochs without losing any of its roots. From the coast of the Atlantic to the streets of Paris, its history is the one that never fails to keep its spirits alive.
In Coulange, the hemos reinvented in its form more pure: cachemira of double faz, a limpio hombro, an architectural corte. The B56 model does not pretend to reinvent the shelter - pretends to raise it to a higher standard, through material and hand.
The double-faz cashmere is in the heart of this piece. Unlike a classic construction that superimposes an exterior tejido and a forro, the double faz combines the cashmere caps into a single tejido. The result: a notable density without weight, a very clear, a silhouette that is visible without effort. If it is taken that it is sustained by its misma, without artificiality.
The corte is a piece of paper with its origins: front, structured, lightly engraved. Else amplio, los cruzados botones, los oblicuos bolsillos — all the classic codes are present. But when you pay attention to the lines, you should be aware of them. Cada costura, cada acabado habla de un trabajo preciseo, sans ostentación.
The deep blue sea view is not casual. Is the historical color of the Marina uniforms, the mismo that the number has taken. Sobrio, atemporal, atraviesa las actions without envejecer. Combine with black, white, beige, gray — with all the paletas, in reality.
Where this unique piece is made is the union of a noble material and a masterful construction. This shelter was made in France, in the spirit of an office that does not need to be proclaimed - simply here it is, a first sight and first gesture. Los hombros son limpios, las líneas precisas. Nada se deja al azar.
Available in sizes 32 to 46, this shelter adapts to all silhouettes. It's just as good as a pair of crudos that has a fluid dress, in the city or near the sea. Its versatility is the size of the large pieces: it's more real than the woman I'm wearing.
The marine shelter is not a fashionable item. It is a point of reference, a constant in a world that changes quickly. A piece that is guarded, that is transmitted, that has character with its years - the cashmere patina, it is preserved, it leaves the memory of those who raised it. The B56 model, for its work and its live material, has been lost. There are some things that you choose to eat, and you keep them forever.



